The Colour of Silence
"Solitudes" at Petley Jones Gallery
Written by Dillon Ramsey All images courtesy the artist South Granville is always surging with a tide of shoppers. The sidewalk at Broadway is practically spilling over with passersby as I hurry north toward the Granville Street Bridge, and then, at West Sixth Avenue, I turn left. Suddenly I find myself steeped in a serene […]
Weak Stimuli
Tyler Keeton Robbins at Catalog
Words by Brit Bachmann If you are a follower of Booooooom or Juxtapoz, you have seen splashes of this graphic work. It is not a coincidence, but rather a coordinated effort to introduce people to the talent of Tyler Keeton Robbins, a multidimensional illustrator. Last month Robbins made his Vancouver debut at Catalog Gallery, located […]
Looking Deeper Into A Transitioning Chinatown
Julia Kwan’s Everything Will Be documentary aims to re-engage the community of one of North America’s oldest cultural enclaves
Written + Photography by Andi Icaza-Largaespada When Julia Kwan’s Everything Will Be screened at SFU Woodwards’ Djavad Mowafaghian Cinema, most 350 seats were taken: the theatre felt bubbling and packed. Arriving a few minutes late granted me first-row, neck-stiffening seats. This was the second of four sold-out screenings of Everything Will Be during the 2014 […]
Rallying Antagonists
Justin A. Langlois argues on behalf of uselessness & antagonism at SFU Woodward’s
Written by Brit Bachmann + Photography by Alisha Weng An oversimplified summary of this lecture would state that Justin A. Langlois made a persuasive and fast-paced argument for the importance of slowing down: The hastened trajectory of our social structures, industries and art practices cannot be sustained. We must reject the modern concept of time efficiency and consider new […]
Bill Anderson // Continuum @ Winsor Gallery
Bill Anderson’s photographic series Continuum at Winsor Gallery allows an opportunity to rediscover the mundane through an experimental photographic process
Written by Adam Stenhouse Bill Anderson photos courtesy Winsor Gallery website Hiroshi Sugimoto photo courtesty sugimotohiroshi.com I am always a little wary of photographic work that doesn’t necessarily look like a photograph. I think it’s the reactionary laying not-so-deep down within me somewhere. I think the wariness stems from the love of how photography engages […]
Creating A Holistic Homefront
Carrie MacLeod leads an SFU audience through 'human choreography'
Written by Brit Bachmann + Photography by Alisha Weng “I ask us to listen with our whole bodies.” This is how Carrie MacLeod opened her lecture performance at SFU Woodwards. While the audience was bathing in a warm amber glow in the Djavad Mowafaghian World Art Centre, anxiously awaiting to hear her views, MacLeod had already plotted […]
Ben Brown: Improvising His Way to Clarity
Interview by Mark Jacobs Photos by Harley Spade Vancouver-based drummer and composer Ben Brown has enjoyed an impressive career as an in-demand session musician and as the driving beat behind Pugs and Crows, with whom he won the 2010 Galaxie Rising Star Award for Best New Group and the 2013 JUNO Award for Instrumental Album […]
Retro Vancouver
How Our City Needs to Progress in the 21st Century
Written by Justin Ramsey Photography by Harley Spade For much of Vancouver’s history, the Downtown Eastside was the economic hub of the city. Rooted amidst the bustle of boutiques, hotels, and parlours was the Woodward’s department store, a six-storey shopping mecca that drew Vancouverites from all over the city. This version of the Downtown Eastside […]
My Cowbojsky Boty
Or, "How to Own it When You Don't Own It."
Writing by Barbara Adler Illustrations by Brit Bachmann Photography by Barbara Adler and Ash Tanasiychuk Videos by Ash Tanasiychuk “A cowboy without a horse just wants to get to where they’re going.” This summer, I picked up that piece of cowboy philosophy by wandering – horseless — through the Czech countryside in a pair of […]
Over Under Over Under
A Repetitive Review of a Pattern Show
Words by Brit Bachmann + Photography by Jon Vincent Ragay As the sun descended in the West, orange beams streamed through the security bars on the windows of Red Gate, casting a skewed checkerboard shadow on the gallery floor. While this was definitely happenstance, I considered it an unofficial curatorial statement for Over Under Over Under, a […]